Daniela Crocetti is an Italian-American researcher working at the intersections of the history of medicine and anthropology. Their research focuses on the social history of the gendered body and rights mobilization in medical contexts, with particular attention to intersex rights and the experiences of individuals with variations of sex characteristics (VSC). Currently a Research Fellow in medical anthropology at Bar-Ilan University on the project Intersex Reproductive Journeys, Daniela has previously held positions at the University of Bologna, Ca’ Foscari University, and the University of Huddersfield. Their publications include L’invisibile intersex. Storie di corpi medicalizzati (ETS, 2013) and recent articles in Social Science & Medicine and Rivista Illuminazioni on intersex rights and medical decision-making in Italy.

Anne Faucheret is an art historian and curator. She has been working for the Kunsthalle Wien since 2014, where she has organized several exhibitions and public programs, among others Hysterical Mining (with Vanessa J. Müller), Work it, feel it! (with Eva Meran), or The Promise of Total Automation. She also works in collective constellations where she tests new forms of research, togetherness and sharing. Her interests lie at the intersection between art, politics, technology and all that lives.

Paul Kotal (1992) lives and works in Vienna. He is a sound artist whose works are based in theatre, both contemporary and popular music as well as live sound. He is currently involved in stage projects with Alix Eynaudi (FR/AT), Ulduz Ahmadzadeh (IR/AT), Samuel Feldhandler (FR/AT) Christoph Schiele (GER) and Anne Juren (FR/AT). Kotal co- founded Zonkey Studios in Vienna, a production studio and home to a collective of musicians. In 2023, he founded the duo turf + surf together with pianist Han-Gyeol Lie. They place themselves beyond the traditional division of composition and interpretation, creating musical blueprints by accumulating material from different historical and aesthetical point of views, driven by the desire to exploit and redistribute them, thereby channelling new ways of musical representation.

Strasbourg based artist Cécile Tonizzo was first trained as a gymnast, she then studied visual and performing arts. She builds multidisciplinary works that are based on societal matters. Creating assemblages where manual techniques such as drawing, embroidery, textile and sound editing are mixed, she seeks ways to question our relationship to the notion of good taste, modes of consumption, the artisan gesture, with particular attention to the notions of discretion and polyvocality. She worked with various theatre directors and choreographers and develops solid collaborations today with choreographer Alix Eynaudi, playwright Clémence Weill. She teaches at Haute école des Arts du Rhin/ CFPI and at Social and Cultural Center/Port du Rhin in Strasbourg.